미국 음대(클래식)수속전문

The Juilliard School - Flute 오디션 정보

<예비오디션>

The 1st and 2nd movements of a Classical concerto of the applicant's choice.
Two contrasting movements selected from works of different styles or periods, accompanied (excluding Mozart).
One of the following pieces, in its entirety:
- Prélude et Scherzo (Henri Büsser)
- Concertino, Op. 107 (Cecile Chaminade)
- Concertino, Op. 45 (Alphonse DuVernoy)
- Cantabile et Presto (Georges Enesco)
- Fantasie, Op. 79 (Fauré)
- Andante et Scherzo (Louis Ganne)
- Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)
- Ballade (Périlhou)
- Andante Pastoral et Scherzettino (Paul Taffanel)
Mendelssohn Scherzo from A Midsummer Night’s Dream – 2 measures before P to the end.
Two orchestral excerpts selected from the following choices:
- Beethoven Eroica Symphony – Last movement – measures 172–200.
- Beethoven Leonore Overture No. 3 – measures 328–360.
- Brahms Symphony No. 4 – Last movement – measures 93–105.
- Debussy Afternoon of a Faun – measures 1–4.

Mozart – Exposition of 1st and 2nd movements of Concerto in G Major or D Major, accompanied.
Two contrasting movements selected from works of different styles or periods, accompanied (excluding Mozart).
One of the following pieces, in its entirety:
- Prélude et Scherzo (Henri Büsser)
- Concertino, Op. 107 (Cecile Chaminade)
- Concertino, Op. 45 (Alphonse DuVernoy)
- Cantabile et Presto (Georges Enesco)
- Fantasie, Op. 79 (Fauré)
- Andante et Scherzo (Louis Ganne)
- Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)
- Ballade (Périlhou)
- Andante Pastoral et Scherzettino (Paul Taffanel)
Mendelssohn Scherzo from A Midsummer Night’s Dream – 2 measures before P to the end.
Two orchestral excerpts selected from the following choices:
- Beethoven Eroica Symphony – Last movement – measures 172–200.
- Beethoven Leonore Overture No. 3 – measures 328–360.
- Brahms Symphony No. 4 – Last movement – measures 93–105.
- Debussy Afternoon of a Faun – measures 1–4.

<라이브오디션>

At least one of Nos. 2 or 3 must be performed from memory in its entirety.

A complete Baroque sonata.
Two complete major works of contrasting styles and periods.
A complete Classical concerto.
One of the following pieces, in its entirety:
- Prélude et Scherzo (Henri Büsser)
- Concertino, Op. 107 (Cecile Chaminade)
- Concertino, Op. 45 (Alphonse DuVernoy)
- Cantabile et Presto (Georges Enesco)
- Fantasie, Op. 79 (Fauré)
- Andante et Scherzo (Louis Ganne)
- Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)
- Ballade (Périlhou)
- Andante Pastoral et Scherzettino (Paul Taffanel)
Four standard orchestral excerpts displaying a balance of technical and lyrical playing.

At least one of Nos. 2, 3, or 4 must be performed from memory in its entirety.

A complete Bach sonata.
A complete Mozart concerto.
A complete 20th or 21st-century concerto.
Two additional complete works of contrasting styles and periods.
One of the following pieces, in its entirety:
- Prélude et Scherzo (Henri Büsser)
- Concertino, Op. 107 (Cecile Chaminade)
- Concertino, Op. 45 (Alphonse DuVernoy)
- Cantabile et Presto (Georges Enesco)
- Fantasie, Op. 79 (Fauré)
- Andante et Scherzo (Louis Ganne)
- Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)
- Ballade (Périlhou)
- Andante Pastoral et Scherzettino (Paul Taffanel)
Six standard orchestral excerpts displaying a balance of technical and lyrical playing.