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Michigan State University - Composition 교수진 정보

Alexis Bacon
Assistant Professor of Composition
 
Area(s):
Composition
221 Music Building
East Lansing, MI 48824
abacon@msu.edu
(517) 884-9401

About:
Alexis Bacon, a composer recognized nationally and internationally for her acoustic and electroacoustic music, has won awards such as the IAWM Search for New Music Pauline Oliveros Prize, the Ossia International Composition Prize, and the ASCAP/SEAMUS student composition commission. She has also received grants and awards from the Indiana Arts Council, the Percussive Arts Society, the American Music Center, and ASCAP, and commissions from the duo Due East, the Bro-Fowler Duo, and violinist Robert Simonds. A Fulbright scholar to France, Bacon studied music composition in Paris with Betsy Jolas before attending graduate school at the University of Michigan, where her composition teachers included William Bolcom, Michael Daugherty, Evan Chambers, and Susan Botti. Also skilled as a violist and pianist, she remains active as a performer. She has taught at the University of Michigan, West Texas A&M University, Indiana State University, and the University of Indianapolis. She spends her summers teaching at Interlochen Arts Camp. In 2015 she began a position as assistant professor of composition at Michigan State University College of Music.
 
- See more at: http://music.msu.edu/faculty/profile/alexis#sthash.J4sHDuxU.dpuf
 
 
 
Jere Hutcheson
Professor of Composition
 
Area(s):
Composition
400 Music Practice Building
East Lansing, MI 48824
hutcheso@msu.edu
(517) 355-7664

About:
Jere Hutcheson is professor of composition at the Michigan State University College of Music.
 
He received a doctor of philosophy from MSU. He is the recipient of numerous awards and commissions, including fellowships from the Guggenheim Foundation, the Berkshire Music Center, and the Annual Composers Conference.
 
Grants he has received include funding from the Martha Baird Rockefeller Fund for Music. Hutcheson's publications include various articles, a two-volume theory text, Musical Form and Analysis, and more than 100 compositions. He has been cited by the National Music Teachers Association as Distinguished Composer of the Year and has received a prestigious research fellowship from the John Simon Guggenheim Memorial Foundation
 
- See more at: http://music.msu.edu/faculty/profile/jere#sthash.RNZn5rJQ.dpuf
 
 
 
 
Ricardo Lorenz
Associate Professor of Composition and Chair of the Composition Area
 
Area(s):
Composition
215 Music Practice Building
East Lansing, MI 48824
lorenzri@msu.edu
(517) 355-7658
 
About:
Ricardo Lorenz is associate professor and area chair of composition at Michigan State University College of Music.
 
His compositions have received praise for their fiery orchestrations, harmonic sophistication, and rhythmic vitality. These impressions have accompanied performances of his works at prestigious international festivals such as Carnegie Hall's Sonidos de las Américas, Ravinia Festival, Santa Fe Chamber Music Festival, France's Berlioz Festival, Spain's Festival Internacional de Música Contemporanea de Alicante, the Festival Cervantino in Mexico, and Turkey's Uluslararasi Summer Festival. Lorenz’s orchestral compositions have been performed by the Chicago Symphony Orchestra, American Composers Orchestra, New World Symphony, San Antonio Symphony, Dayton Philharmonic, among others, and by premier orchestras in Germany, Spain, the Czech Republic, Mexico, and Venezuela. One of his latest compositions is a concerto of sorts for Latin ensemble and symphony orchestra commissioned by a consortium of major orchestras and festivals, and composed in collaboration with Grammy-nominated band Tiempo Libre. Featured in NPR’s “All Things Considered,” Rumba Sinfónica has been performed by Minnesota, Detroit, Dallas, and National Arts Center (Ottawa) orchestras, among many others.
 
Venezuelan-born Lorenz has served as composer-in-residence in several programs and presenting organizations, such as the Chicago Symphony Orchestra’s Armonía Musicians Residency Program (1998-2003), the Billings Symphony (1998-1999), and Music in the Loft chamber music series (1999-2000). He has also been the recipient of several other distinctions and awards from American Bandmasters Association, National Flute Association, Civitella Ranieri Foundation, Organization of American States (OAS), Concert Artists Guild, Meet-the-Composer, Barlow Endowment for Music Composition, the Newhouse Foundation, Illinois Community College Trustees Association, and ASCAP.
 
Although Lorenz has resided in the United States since 1982, he has always maintained close ties with Latin America. Between 1987 and 1992, he held the position of interim director of the Indiana University Latin American Music Center. During this time he established a network of composers from the continent and compiled the sourcebook Scores and Recordings at Indiana University's Latin American Music Center (Indiana University Press, 1995), which was nominated to receive the 1996 Best General Reference Source Award by the Association of Recorded Sound Collections. As a performer/arranger, he has worked with well-known Latin/o American musicians such as Tito Puente, David Sánchez, Claudia Pérez, Farred Haque, and with the bands Folkloristas de México, Tiempo Libre, and Sones de México. Between 2003 and 2005 Lorenz went back to Indiana University to serve as visiting director of the Latin American Popular Music Ensemble.
 
Lorenz holds a Ph.D. degree in composition from the University of Chicago and a master of music degree from Indiana University. He studied composition under Juan Orrego Salas, Shulamit Ran, and Donald Erb. He has taught at Indiana University, the University of Chicago, and City Colleges of Chicago. His compositions are published by Lauren Keiser Music and Boosey & Hawkes. They can also be heard on the following record labels: Arabesque Recordings, Albany Records, Indiana University LAMC Series, Doublemoon Records (Turkey), Urtex Digital Classics (Mexico), SOMM Recordings (UK), and Cedille Records (US).
 
Ricardo Lorenz on Spartan Podcast: http://spartanpodcast.com/?p=414
 
- See more at: http://music.msu.edu/faculty/profile/ricardo#sthash.VwmMiybt.dpuf
 
 
 
 
Charles Ruggiero
Professor of Composition and Music Theory
 
Area(s):
CompositionMusic Theory
308 Music Practice Building
East Lansing, MI 48824
ruggier1@msu.edu
(517) 355-7728

About:
Charles Ruggiero is professor of composition and music theory at the Michigan State University College of Music.
 
He received the Ph.D. in composition from MSU.
 
Ruggiero is the recipient of a National Endowment for the Arts Composition Commissioning Consortium Grant and numerous ASCAP awards. His music has been performed in Asia, Europe, South America, and throughout North America. His works are recorded on the AUR, Centaur, Channel Crossings/Channel Classics (The Netherlands), Mark, CRI, Klavier, and Sunrise (Japan) labels. Ruggiero continues to be active as a composer and percussionist.
 
- See more at: http://music.msu.edu/faculty/profile/charles#sthash.xfolfrk0.dpuf
 
 
 
 
Mark Sullivan
Associate Professor of Composition
 
Area(s):
Composition
305 Music Practice Building
East Lansing, MI 48824
sullivan@msu.edu
(517) 355-7653

 

About:
Mark Sullivan is associate professor and director of the computer music studios at the Michigan State University College of Music.
 
He received a doctor of musical arts from the University of Illinois at Urbana-Champaign. Sullivan composes for acoustic instruments, with and without the computer, and for both instruments and computer-generated sounds. He specializes in the analysis and performance of contemporary music and in studies that relate music to the other arts and society. Sullivan is active in the International Computer Music Association, the Society for Composers, Inc., and the Society for Electro-Acoustic Music in the United States.
 
- See more at: http://music.msu.edu/faculty/profile/mark1#sthash.r8xLpKB9.dpuf

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