<예비오디션>

<예비오디션>

 

<예비오디션>

 

<예비오디션>

 

 

·  Percussion is a pre-screened major.

·  All applicants (with the exception of current Juilliard pre-college students) must submit pre-screening audio-visual recordings

·  Each audio-visual recording must be in its own digital file. Do not upload all pre-screening requirements in the same file. Do notupload files containing more than one movement, excerpt, etc.

 

 

a.    Two Mallets – Any 2 mallet movement from J.S. Bach's Sonatas and Partitas for solo violin or Suites for solo cello – no repeats.

b.    Four Mallets – Georg Neumark – Chorale no repeats. ♩= 100 (do not roll).

 

 

·         If low A instrument is not available, please play entire piece up one octave.

 

 

1. Long Roll ♩= 80.
   
    

2. Pratt- 14 Modern Contest Solos: Drum Corps on Parade.
   • Play beginning to downbeat of m. 32.
3. Delecluse – Etude No. 1 from 12 Etudes pour caisse claire.
   • Play beginning to downbeat of m. 46 ♩.= 76.
   •  

a.    Long Roll ♩= 80.

b.    Goodman – Modern Method for Timpani – Etude #57 ♩= 92.

 

 

 

·         If invited to a live audition, applicants should bring three copies of all materials.

 

1.    Mallets

a.    Two-mallet solo of your choice.

b.    Four-mallet solo of your choice.

c.    Knowledge of scales and arpeggios.

d.    Sight-reading.

 

2.    Snare Drum
 

a.    Etudes from Cirone Portraits in Rhythm or Delecluse 12 Etudes or the equivalent.

b.    Rudimental etude by Pratt, Wilcoxon, Tompkins or equivalent

c.    Knowledge of rudiments and ornaments.

d.    Ability to roll at all dynamic levels.

e.    Sight-reading.

 

3.    Timpani
 

a.    Etudes from Goodman method, Firth, Delecluse, or Hochrainer books or the equivalent.

b.    Ability to tune accurately.

c.    Ability to roll at all dynamic levels.

d.    Sight-reading.

 

 

 

 

·  Percussion is a pre-screened major.

·  All applicants (with the exception of current Juilliard college or B-C-J Exchange students) must submit pre-screening audio-visual recordings through Acceptd, our online portal.

·  Each audio-visual recording must be in its own digital file. Do not upload all pre-screening requirements in the same file. Do notupload files containing more than one movement, excerpt, etc.

·  The Graduate Diploma in Percussion consists of one year of full-time study.

 

         If invited to a live audition, applicants should bring three copies of all materials.

 

1. Mallets
   • Two-mallet solo of your choice.
   • Four-mallet solo of your choice.
   • Knowledge of scales and arpeggios.
   • Sight-reading.
   • Four standard orchestral excerpts.
2. Snare Drum
   • Etudes from Cirone Portraits in Rhythm or Delecluse 12 Etudes or the equivalent.
   • Rudimental etude by Pratt, Wilcoxon, Tompkins or equivalent
   • Knowledge of rudiments and ornaments.
   • Ability to roll at all dynamic levels.
   • Sight-reading.
   • Four standard orchestral excerpts.
3. Timpani
   • Etudes from Goodman method, Firth, Delecluse, or Hochrainer books or the equivalent.
   • Ability to tune accurately.
   • Ability to roll at all dynamic levels.
   • Sight-reading.
   • Four standard orchestral excerpts

 

 

1.  Mallets

• Two mallets – any 2 mallet movement from J.S. Bach Sonatas and Partitas for solo violin or Suites for solo cello – no repeats.
• Orchestral excerpts:
  • Xylophone: Porgy and Bess Overture – Gershwin; Firebird Ballet 47–48 and 127–133 – Stravinsky
  • Glockenspiel: Sorceror's Apprentice 4 after 17–4 after 19, 22–24 – Duka
• Four mallets – perform one of the following works:
  • Marimba: Khan Variations – Viñao; Merlin – Thomas; Marimba Variations – Wuorinen; Velocities – Schwantner; Reflections on the Nature of Water – Druckman; Three Moves – Lansky
  • Vibraphone: Loops II – Hurel; Le Livre des Claviers – Manoury; Omar – Donatoni

2.  Snare Drum

• Long Roll ♩ = 80.
  
  
• Pratt-The New Pratt Book: Conquering Legions of Rome.
  • Play beginning to downbeat of m. 25.
• Delecluse – choose one etude from 12 Etudes
• Orchestral excerpts: Lt. Kije (opening) – Prokofiev; Sheherezade iii D - E, iv. P – Q – Rimsky-Korsakov; Clarinet Concerto, 4 before 29 – 1st beat of 32 – Nielsen

3.  Multi percussion

• Choose one from the following: Rebonds A , Psappha – Xenakis; Rogoshanti – Wood; I Ching – Norgard; 13 Drums – Ishii; Anvil Chorus – Lang; Jannisary Music – Wuorinen; Bone Alphabet – Ferneyhough

4.  Timpani

• Long roll ♩ = 80.
  
  
• Goodman – Modern Method for Timpani – Etude No. 72.
• Orchestral excerpts:
  • Brahms – Symphony No. 1 – Fourth movement coda.
  • Beethoven – Symphony No. 9 – First movement coda.
  • Tchaikovsky – Symphony No. 4 – First movement, 2 before T to 3 before U ♩ = 80.

· Composition is a pre-screened major.

· All applicants must submit pre-screening materials through Acceptd, our online portal.

· Each portion of each requirement (audio recordings, PDFs of scores, written statements and list of compositions/dates performed, as noted below) must be in its own digital file. Do not upload all pre-screening requirements in the same file. Do notupload files containing more than one movement, excerpt, etc.

 

 

1. Two scores of contrasting styles composed within the last two years.
   • Scores must be uploaded in PDF format
   • Each score should be circumscribed to present up to five minutes of music which represents your best, most accomplished work
   • Total combined time of selections should be approximately ten minutes
2. Audio recordings which are cued to the same section of music should accompany the scores.
   • Recordings are in support of the scores and may be live music or digital realizations of your works
   • Acceptable audio formats include: .aac, .aif, .aiff, .iff, .fla, .m4a, .mpa, .mp3, .ra, .wav, .wma
3. A short written statement which describes the scores or the process of composing the scores.
4. A complete listing of the applicant’s compositions with orchestrations and dates of performances.

 

 

 

1. Selected applicants will be scheduled for personal interviews with the faculty.
2. Interviews will include a discussion of the scores submitted for the pre-screening.
3. Applicants must bring scores and CD recordings of the works submitted for pre-screening AND two additional works (scores with CD recordings) to the interviews. Do not bring audio files on flash drives or any other storage method requiring a computer for playback.
4. All applicants will complete musicianship testing in score analysis, rhythmic dictation, harmonic analysis, counterpoint, and score identification.

 

· Composition is a pre-screened major.

· All applicants (with the exception of current Juilliard college or B-C-J Exchange students) must submit pre-screening materials through Acceptd, our online portal.

· Each portion of each requirement (audio files, PDFs of scores, written statements, and list of compositions/dates performed, as noted below) must be in its own digital file. Do not upload all pre-screening requirements in the same file. Do not upload files containing more than one movement, excerpt, etc.

· The Graduate Diploma in Composition consists of one year of full-time study.

 

 

1. Two scores of contrasting styles composed within the last two years.
   • Scores must be uploaded in PDF format
   • Each score should be circumscribed to present up to seven minutes of music which represents your best, most accomplished work
   • Total combined time of selections should be approximately fourteen minutes
2. Audio recordings which are cued to the same section of music should accompany the scores.
   • Recordings are in support of the scores and may be live music or digital realizations of your works
   • Acceptable audio formats include: .aac, .aif, .aiff, .iff, .fla, .m4a, .mpa, .mp3, .ra, .wav, .wma
3. A short written statement which describes the scores or the process of composing the scores.
4. A complete listing of the applicant’s compositions with orchestrations and dates of performances.

 

1. Selected applicants will be scheduled for personal interviews with the faculty.
2. Interviews will include a discussion of the scores submitted for the pre-screening.
3. Applicants must bring scores and CD recordings of the works submitted for pre-screening AND two additional works (scores with CD recordings) to the interviews. Do not bring audio files on flash drives or any other storage method requiring a computer for playback.
4. All applicants will complete musicianship testing in score analysis, rhythmic dictation, harmonic analysis, counterpoint, and score identification.

 

 

 

· Composition is a pre-screened major.

· All applicants (with the exception of current Juilliard college students) must submit pre-screening materials through Acceptd, our online portal.

· Each portion of each requirement (audio files, PDFs of scores, written statements, and list of compositions/dates performed, as noted below) must be in its own digital file. Do not upload all pre-screening requirements in the same file. Do not upload files containing more than one movement, excerpt, etc.

 

1. Two scores of contrasting styles composed within the last two years.
   • Scores must be uploaded in PDF format
   • Each score should be circumscribed to present up to ten minutes of music which represents your best, most accomplished work
   • Total combined time of selections should be approximately twenty minutes
2. Audio recordings which are cued to the same section of music should accompany the scores.
   • Recordings are in support of the scores and may be live music or digital realizations of your works
   • Acceptable audio formats include: .aac, .aif, .aiff, .iff, .fla, .m4a, .mpa, .mp3, .ra, .wav, .wma
3. A short written statement which describes the scores or the process of composing the scores.
4. A complete listing of the applicant’s compositions with orchestrations and dates of performances.

 

1. Selected applicants will be scheduled for personal interviews with the faculty.
2. Interviews will include a discussion of the scores submitted for the pre-screening.
3. Applicants must bring scores and CD recordings of the works submitted for pre-screening AND two additional works (scores with CD recordings) to the interviews. Do not bring audio files on flash drives or any other storage method requiring a computer for playback.
4. All applicants will complete musicianship testing in score analysis, rhythmic dictation, harmonic analysis, counterpoint, and score identification.